Thirsty work for blood brothers
The following excerpt is taken form the "The Weekend Bulletin Magazine" paradise liftout (Mar 10-11, 2007)... As Gold Coast filmmakers Kane Sarota and Shane Dempsey make the transition from award-winning short films to the heady world of full-length features, their first project is one with plenty of bite. The books on Kane Sarota's shelves reveal an actor and film-maker's passion. Spielberg, Brando and Stanislavski are among the subjects, names to offer inspiration and education. For Kane's business partner and film director Shane Dempsey, his fervor for film-making was awakened in the 1970s when, as a six-year old, he marveled at director George Lucas's Hollywood blockbuster Return of the Jedi. Now the pair are working to make their own mark on movie-making, their company Shakane Productions having already enjoyed success with short films and about to take the big step into the big time of full-length features. Their debut promises to be a darkly intriguing one, and Australian vampire film called The Colony. "It begins in London in 1848 when our vampire pursues his love across the sea as she makes her way to Australia," says Kane, a Gold Coaster since he was 14. "Unfortunately, she dies during the voyage and, in his sadness; he creates a vampire colony here. Then, 140 years later, his bloodline returns and chaos unfolds." As they complete the inevitable rounds seeking investors for The Colony, Kane and Shane can approach their clients with the necessary mix of enthusiasm, experience and expertise. For instance, their most recent collaboration, the harrowing and memorable short film Humidity Rising, is enjoying widespread acclaim and awards here and overseas. Set on a Queensland cane farm, it features a 12-year-old girl (Gold Coaster Cleo Massey) who is forced to face the consequences when her mother - played by Cleo's mum Anna Waters-Massey - succumbs to the wiles of Kane Sarota's dangerous drifter. A decidedly more affable bloke in real life than the one he plays in Humidity Rising, Kane's pathway to acting began in unconventional territory: triathlon. "I might have been all right had my knees not given out on me, so I had to give up on any thoughts of pursuing a triathlon career," he says. "At a loose end, I headed off to London in 2002 and found a job with a production company. I saw the other side of the business by doing some script reading and editing and I worked on nine feature films." "There was Wake of Death with Jean-Claude Van Damme, Modigliani with Andy Garcia and also a flick with Jerry Springer, of all people." "Working there really awakened the filmmaking bug in me. Once I was back in Australia I started writing and producing short films. Local Legends and Pitching were well received. "I was also taking acting roles and did a lot of theatre, including some Shakespeare, and even before I left London I'd done a production called Blokes with Bill Hunter. That type of experience made me certain about what I wanted to do. "Then Shane and I met, found we had similar goals, and so we formed Shakane Productions. The Colony is a defining project for us." "There's just something about vampires," says Shane, who came up with the idea for The Colony. "There seductive and murderous at the same time and I wanted to explore a vampire story that had a distinct Australian atmosphere." "Ironically, I had written a character called Kane before I'd even met Kane." Having completed a diploma in scriptwriting in 1998, between 2001-04 Shane directed 11 short films. At the time he was also completing a business studies course which he met Kane's wife and, as a result, Kane himself. "We work well together," says Shane. "We've already achieved quite a lot and we've learned what can go wrong along the way and how to make it right." "Making a film in Australia is a bit like climbing Mount Everest, but that doesn't mean you stop trying to climb." "It's a meter for doing the groundwork, sticking to your objectives and taking things one step at a time." The pair hope to begin production on The Colony midway through this year, with Shane in the director's chair and Kane acting and co-producing. As for projects beyond The Colony, both accept they have a long way to go to emulate the achievements of the Spielberg’s and the Lucas’s of this world. Nevertheless, though cinematic luminaries now, there was a time when even their bookshelves contained the names of the film-makers they admired. For Kane Sarota and Shane Dempsey, their journey is just beginning. Most importantly, however, each conveys the passion and purpose to see it to its end. |